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UK: “This is my culture man, this is my show”

December 15, 2015 By Correspondent

Tracey Wise, London, UK, SSH Blog Correspondent

Frank Turner, courtesy of his press agent
Frank Turner, courtesy of his press agent

After the unfortunate harassment incident that led me to create Safe Gigs for Women, I was acutely aware that the band I had gone to see, Manic Street Preachers, would not have condoned such behaviour, so why did someone at one of their shows think this was appropriate?

With its focus on music, it makes perfect sense that Safe Gigs for Women should seek to work with bands and artists to get them on side. They have a ready-made platform to reach out to people, so having their support is essential.

In approaching artists to gain their support, Frank Turner seemed a natural choice. Known for his beliefs in libertarianism, egalitarianism and a passion for music that more than rivals my own, he very kindly offered his support and agreed to meet me to discuss this during his recent UK tour, at Nottingham’s Rock City. I also met his supporting artists Will Varley and Lorna Thomas from Skinny Lister. It seems like an odd time to be writing this blog, after the events in Paris, but these interviews were planned before the terrorist attack which left 89 people who had been at an Eagles of Death Metal gig, dead.

Safety at gigs seems a much wider notion right now. But in discussing whether Frank Turner believes artists have a responsibility towards the safety of their fans, his stance is that of having “a duty of care” towards those that have paid to see him. Indeed, Turner has been known to stop shows to confront unwanted behaviour by members of the crowd, and further states “of course, I don’t want people getting hurt at my shows”. Whilst he may be comfortable, at times to intervene, he is also thankful for the role of security at shows, proving, again, that achieving safer gigs at women will take a multi-faceted response.

As I acknowledged in my first blog for Stop Street Harassment, there have been notable cases of female artists being groped at shows. When I raised this with Turner, Varley and Thomas, Varley highlighted that, unfortunately, that there is a small “proportion of arseholes” at gigs. Thomas admitted to being recently groped whilst crowd surfing at a Skinny Lister show. In discussing this with Turner he acknowledges that he believes he was “naive”, having never realised that this happens, further stating his reaction to be “Really? Who would do that?” and being certain that no men he knows would ever act in such a way. And this is the crux of the matter – if Turner, my friends and myself are sure that the people we know are not behaving like this, then it is a small group of people making it difficult for women, emphasising the need for campaigns like this, and bands and artists to engage with gig goers to get them to think about their behaviour.

Since starting this project, some commentators have put it to me that women-only shows are the answer. I do not agree, for numerous reasons. I am not an economist, or schooled in the music business, but how would the cost of this impact on smaller, independent labels, venues and acts? As a consumer of music in my own right, as covered in my last blog, surely I have the right to attend the events I choose, with whomever I want to?

Furthermore, and most importantly, it automatically assumes the worst of men. As most of my friends are male, and as the aunt to a 5-year-old boy, this offends me as much as it upsets me. Discussing the notion of women only gigs, Frank Turner states he finds this “defeatist” and “sexist, it says men are beyond any redemption”. This was also shared by Will, stating that “segregation is not the answer”, and Lorna emphasising that what is really needed is a “mind shift”. Considering there are so many men out there doing good to support this project, such as the White Ribbon Project, the artists who supported our first fundraiser, including Jukebox Monkey and Peter Von Toy, and Frank Turner himself, women only gigs feels like a massive step backwards.

Recent world events have shown just how crucial music is in the world around us. And that is why the support of artists like Will Varley, Skinny Lister and Frank Turner is so important. Because, as Turner puts it, “what better forum is there to try and teach people not to be pricks?”

Born and raised in London, Tracey is a graduate of City University. She has spent the best part of her life at gigs and festivals and obsessing about music and created the “Safe Gigs for Women” project.

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Filed Under: Activist Interviews, correspondents Tagged With: music, safe gigs

UK: Venues Must Help Make Gigs Safer

November 30, 2015 By Correspondent

Tracey Wise, London, UK, SSH Blog Correspondent

safegigsSince establishing Safe Gigs for Women, one of its core aims has been to get venues and festivals on board. Whilst it is clear venues themselves cannot be fully held accountable for the actions of individuals, there are many actions they can take to ensure a better experience for all their customers, male and female alike, and make it clear that such behaviour is not acceptable in their establishment.

Firstly, having been on the receiving end of unwanted attention by a festival security guard, it should go without saying that staff at such events and venues should be the first line in preventing harassment in the first place. They should also be taking reports of harassment seriously and doing everything they reasonably can to assist the complainant. Venues in Boston, USA provide a safe refuge for anyone in trouble at a gig, and this seems like a fairly simple approach. Dedicated members of staff can then engage with anyone with any concerns or needs. This seems a very practical, low cost approach towards safety.

I understand the music industry, live music in particular, cannot exist without the support of alcohol companies. However, isn’t it time this was reframed? Whilst there has been a campaign in the UK to ‘drink responsibly’ and be drink aware, with so much attention surrounding alcohol and its role in sexual assault, is it perhaps not time that am alcohol company came out to state it will be taking proactive action against this? Actually take the initiative and be the first to challenge this head on? And whilst we’re at it… Soft drinks companies, how about lowering the price of your products in venues, in order to contribute towards greater safety and the enjoyment of others? And venues can reinforce this with greater provision of free water, available at any time, to those who need it. Better use of cooling systems in venues would also reduce the instances of people getting drunk and improve safety all round.

Quite early on from establishing safe Gigs for Women, I was approached by a local authority in London, Camden Council, an area well known for its musical history and links to alternative cultures. To enact the above changes we will need support from local authorities, those ultimately responsible for licensing venues. We’ve been lucky to have Camden on our side. But what about venues and authorities not in favour of projects like this?

Then consider this. I am a self-declared music obsessive person. In working with Camden Council, I did some tough sums, and estimated that with the gigs I have attended in Camden alone this year, the cost of tickets, food and drink that I have spent in their local economy is somewhere between £1500 – £1800. When women who have experienced harassment at gigs state that their experiences now stop them going to gigs, venues should consider the effect on them, economically.

Safe Gigs for Women welcomes any venue that wishes to work with us — and thanks Camden Council for its support.

Born and raised in London, Tracey is a graduate of City University. She has spent the best part of her life at gigs and festivals and obsessing about music and created the “Safe Gigs for Women” project.

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Filed Under: correspondents, public harassment Tagged With: harassment, music, safe gigs for women, UK

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